1 нояб. 2015 г.

Sachiko Fukuoka



Japanese rock underground female vocalist, bassist, violinist and electronics artist, who is also active as a graphic designer. Began her musical career in Nagoya in 1988 before moving to Tokyo in 2001. Has played with many groups including Kousokuya, Overhang Party, Tangerine Dream Syndicate, and Zu-Kanku. Currently active as a solo artist and in the duo Vava Kitora. Owner of the Musik Atlach label.





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6 окт. 2015 г.

Mort Aux Vaches series



Sublabel created by Staalplaat to release the ongoing series of recordings commissioned by VPRO (Vrijzinnig Protestantse Radio Omroep), a Dutch broadcasting corporation. The name translates literally from French as “Death to Cows,” with “cows” being French slang for German cops - it is equivalent to “Death to Pigs” in English. The slogan originates from the Franco-Prussian WarMost of these recordings were broadcast on one of the Dutch national radio stations (Radio 5) in a show called "De Avonden", more recently also in "Zeldzaam.Dwars".

All releases are limited to at most 1000 copies and come in a typical trifold packaging, with the CD held in place by a copper split-nail. Over the years some special materials were used like foam, plastic, vinyl, copper-foil, tracing paper, sandpaper, etc.

Some artists have released the recordings on their own, like e.g. Sol Invictus on In Europa.



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26 сент. 2015 г.

Michael Northam


Michael Northam's (a.k.a. mnortham) artistic trajectory has been a gradual process extending from early actionistic performances to current sound actions, field recordings and compositions. Northam explores the avenue of direct electroacoustic improvisation, solo and with a variety of collaborators. His many 'sound actions' have taken place at venues throughout Europe and North America. Since his first CD was released in 1993, he has consistently produced works that give an opportunity for the listeners to challenge and examine themselves-exploring ideas of place on "Stomach of the Sky", qualities of weather on "Coyot", and perceptions of microscopic worlds on "From Within the Solar Cave". Similar such ideas have formed the basis of his installations such as "Entering Molecular Streams' (Observatori festival, Valencia, Spain 2000) and "Circulating Phases" (Klangturm, St. Pölten, Austria 2001).




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25 сент. 2015 г.

Olivia Block



Olivia Block is a contemporary composer and sound artist who combines field recordings, scored segments for acoustic instruments, and electronically generated sound. Her recorded work seeks to introduce and ultimately reconcile nature with artifice in the realms of music and sound. In the process, "organic" sound becomes subtly process, digitized, and abstracted; "inorganic" sound becomes self-replicating and animate; and "musical" elements such as chamber instruments are defamiliarized from their traditional associations, freeing them to participate in the larger aesthetic possibilities of sound. Block works with recorded media, chamber ensembles, video, and site specific sound installations.

She has performed throughout Europe, America, and Japan in tours and festivals including Dissonanze, Archipel, Angelica, Outer Ear, and many others. She has completed residencies at Mills College of Music and The Berklee College of Music and has taught master classes at several additional universities.

Block has created sound installations for public sites and exhibition spaces including the Museum of Contemporary Art in Chicago, the library at Wesleyan University in Connecticut, the Lincoln Conservatory Fern Room in Chicago, and at the "Echoes Through the Mountains" exhibit at the 2006 Winter Olympics in Turin, Italy.

Block has published recordings through Sedimental, and/Oar, and Cut.

In the September 2008 she joined the sound department faculty at the School of the Art Institute of Chicago.




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22 сент. 2015 г.

Oren Ambarchi



Oren Ambarchi is a composer and multi-instrumentalist with longstanding interests in transcending conventional instrumental approaches. His work focuses mainly on the exploration of the guitar, re-routing the instrument into a zone of alien abstraction where it's no longer easily identifiable as itself. Instead, it's a laboratory for extended sonic investigation.

Ambarchi's work on harmonics and resonance has led him to define serene spaces of fluid, shifting sound that is both fragile and extremely physical. His solo releases Grapes From The Estate, Suspension and Insulation for UK label Touch, have transcended the guitar into a zone of alien beauty and sonic impossibilities to critical acclaim. In 2003 his live release Triste received an 'honourary mention' in the Prix Ars Electronica digital musics category.

In 2002 alone he has made 7 extensive international solo guitar tours.

He has performed and recorded with a diverse array of artists such as Martin Ng (Australia), Sunn 0)) (USA), Christian Fennesz (Austria), Otomo Yoshihide (Japan), Pimmon (Australia), Keiji Haino (Japan), John Zorn (USA), Rizili (Greece), Voice Crack (Switzerland), Sachiko M (Japan), Keith Rowe (UK), Phill Niblock (USA), Gunter Muller (Switzerland), Evan Parker (UK), Robbie Avenaim (Australia), Toshimaru Nakamura (Japan), Dave Grohl (USA), Damo Suzuki (Japan), Chris Townend (Australia) and many more.

Ambarchi is involved in many collaborative projects including the song-based duo Sun with Chris Townend (releases on Staubgold, Preservation, Textile & Important records), Burial Chamber Trio together with Greg Anderson of Sunn 0))) & Atilla Csihar of Mayhem (with a recent LP release on Southern Lord & an upcoming 10" release) and Grave Temple with Csihar and Stephen O'Malley of Khanate & Sunn 0))). Southern Lord have recently released The Holy Down a Grave Temple live document recorded in Israel in July 06. His much loved long-running duo with Rizili the Menstruation Sisters have releases on labels such as Menlo Park, No Fun, Ecstatic Peace, Saucerlike & more. The Four Gentlemen Of The Guitar is a quartet formed by Keith Rowe of AMM in 2004 featuring Ambarchi, Christian Fennesz, Toshimaru Nakamura & Rowe. Their 2CD release Cloud was released by Erstwhile records.

For 10 years together with Robbie Avenaim, Ambarchi was the co-organiser of the What Is Music? Festival, Australia's premier annual showcase of local and international experimental music. The What Is Music? festival hosted over 200 local and international performers. Ambarchi now curates the weekly "Maximum Arousal" series at The Toff In Town in Melbourne and has recently co-produced a television series for SBS on experimental music called Subsonics.






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21 сент. 2015 г.

Secret Pyramid



Secret Pyramid is the solo project of Vancouver-based musician Amir Abbey, whose previous output includes The Silent March cassette (to be reissued on vinyl by Students of Decay in early 2014). Movements of Night finds Abbey further develop and refine the haunting, faraway sound-world that earned the aforementioned release well-due praise. “A Descent” opens the record; its title aptly portends the track’s dirge-like drones and throbbing cycles of low-end. Throughout Movements of Night, Abbey deftly navigates the properties of sleep and unconsciousness, charting a course that is equal parts harrowing and funereal, tranquil and sublime. Juxtaposing the everyday with the obscured, the half-there melodies and arcs of hazy guitar histrionics of “Closer” dissolve into “To Forget,” a track that posits a more familiar, tangible atmosphere in which radiant drones are tethered to a driving bassline, recalling perhaps a lost ’70s Popol Vuh Herzog soundtrack. “Escape” closes the album on a nostalgic note, akin to the feeling of waking from a wondrous dream which one knows one cannot revisit. With Movements of Night, Abbey casts his net into the abyss of the unconscious and returns with a potent paean to the dreamworld.




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6 сент. 2015 г.

Jimmy Billingham

by request


Jimmy Billingham is an enigmatic fellow. He has a brace of shifting musical projects that ply sound into various forms dependant on which pen-name he feels likes working under on a particular day. His discography is large and widely dispersed amongst the ‘tape scene’- a web of labels that share an ambition and DIY aesthetic – his name could be mentioned in the same breath as guys and gals like Motion Sickness of Time Travel, Hobo Cubes, Pulse Emitter or even Emeralds or Bee Mask and his is a friendly and familiar face to any who follow the community. The scene is based more centrally and commonly in America with the grand majority of music and labels based there, so it’s surprisingly rare to find a producer so deeply embedded in the culture that lives in the UK, as Billingham does.






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24 июл. 2015 г.

François Bayle


French composer (27 April 1932, Tamatave, Madagascar). Studied in Bordeaux (1946-1954), at the Paris Conservatoire, with Olivier Messiaen (1958-1959) and at the Darmstadt summer courses (1960-1962) with Karlheinz Stockhausen, among others. Joined the Service de la recherche de l'Office de la radio-télévision française (ORTF) in 1960, recently established by Pierre Schaeffer.

In 1966 Schaeffer put Bayle in charge of the Groupe de recherches musicales (GRM). From then on he remained active as a composer, an administrator and a music theorist. During these years he organized concerts, radio broadcasts, seminars and events celebrating individual composers, supported technological developments (Syter, GRM Tools, Midi Formers, Acousmographe) and was behind major innovations, such as the Acousmonium (an orchestra of loudspeakers) and the INA-GRM recordings label. He also founded in 1992 the Acousmathèque with a repertory of 2000 works composed after 1948.

After leaving GRM in 1997, he founded his own audio-numerical and multiphonic studio, the Studio Magison, where he has devoted himself to research, writing and composition.



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21 июл. 2015 г.

Scanner



Scanner - British artist Robin Rimbaud traverses the experimental terrain between sound, space, image and form, creating absorbing, multi-layered sound pieces that twist technology in unconventional ways. From his early controversial work using found mobile phone conversations, through to his focus on trawling the hidden noise of the modern metropolis as the symbol of the place where hidden meanings and missed contacts emerge, his restless explorations of the experimental terrain have won him international admiration from amongst others, Bjork, Aphex Twin and Stockhausen.

Scanner is committed to working with cutting edge practitioners and has collaborated with artists from every imaginable genre: musicians Bryan Ferry, Radiohead and Laurie Anderson, The Royal Ballet and Merce Cunningham and Random Dance companies, composers Michael Nyman and Luc Ferrari, and artists Mike Kelley, Derek Jarman, Carsten Nicolai and Douglas Gordon. Since 1991 he has been intensely active in sound art, producing concerts, compositions, installations and recordings, the albums Mass Observation (1994), Delivery (1997), and The Garden is Full of Metal (1998) hailed by critics as innovative and inspirational works of contemporary electronic music.

In 2004 his Sound Surface work was the first ever Tate Modern sound-art commission and in 2006 he produced Night Haunts for Artangel for 2006-2007, whilst sound-designing a new car horn for the USA. In 2007 he sound-designed new British horror film Reverb, and released Art Pop, with his rock group Githead.He has performed and created works in many of the world’s most prestigious spaces including SFMOMA USA, Hayward Gallery London, Pompidou Centre Paris, Kunsthalle Vienna, Bolshoi Theatre Moscow, Tate Modern London and the Royal Opera House London. His work has been presented throughout the United States, South America, Asia, Australia and Europe.




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17 июл. 2015 г.

Rutger Zuydervelt



Machinefabriek is the alias of Rutger Zuydervelt. Rutger's music combines elements of ambient, noise, minimalism, drone, field recordings and electro-acoustic experiments. His pieces can be heard as an attempt to create sonic environments for the listener to dwell in. Finding tension in texture, tone and timing, the result can be very minimalistic at first glance, but reveals itself upon closer listening. The devil is in the details.

Rutger was born in 1978 in Apeldoorn (The Netherlands) and now resides in Rotterdam. He started recording as Machinefabriek in 2004. After a series of self released cd-rs, his official debut Marijn was issued in 2006, with great critical acclaim. Since than, a solid stream of music was released on labels such as Type, Important, Home Normal, 12K, Entr'acte, Dekorder, Digitalis, Experimedia and Staalplaat. He performed all over the globe, from Canada to Israel and from Russia to Japan.

Rutger collaborated (on record and/or live) with numerous artists, such as Steinbrüchel, Jaap Blonk, Aaron Martin, Peter Broderick, Frans de Waard, Mats Gustafsson, Steve Roden, Gareth Davis, Stephen Vitiello, Michel Banabila, Dirk Serries and Dead Neanderthals, amongst many others.

He frequently works with film makers, like Makino Takashi, Mike Hoolboom, John Price, Paul Clipson and Chris Teerink, for whom he composed a soundtrack for his documentary about Sol LeWitt. Rutger's music was also used in Edward Burtynsky's documentary Watermark and Josh Fox' Gasland and Gasland Part II.

Besides films, Rutger also composes music for dance pieces, like Alix Eynaudi and Kris Verdonck's EXIT (premiéred at the Haus der Kulturen der Welt, Berlin), Alexander Whitley's The Measures Taken (for the Royal Opera in London) and multilpe pieces by Spanish choreographer Iván Pérez.

Then there's Rutgers installation work, in which the dialogue with the environment plays an important role. He did projects for Stedelijk Museum Amsterdam, NAi (Dutch Architecture Institute), the new Armando Museum MOA, Sounds Like in Saskatoon (Canada), the Into the Great Wide Open Festival and Netwerk in Aalst (Belgium). 






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