Every 'history' is biased and has some
kind of ax to grind. The one that Thomas Ziegler and I set out to
do was no different. In the summer of 1999, he asked me if I wanted
to help him put together a multi-CD set to cover the history of electronic
music. I jumped at the chance, having no idea what I was getting
into and with zero experience as a producer. After settling down
on a year span (the '80's seemed like a time when things really splintered),
we then had the pain-staking task of deciding which artists and which pieces
should be on it. As detailed in our liners for the release, some
legal problems prevented us from including everything that we would have
wanted to but in the end, we had 3 CD's with about forty artists, covering
some of the most extraordinary composers and visionaries of the last century.
A number of other collections had covered one particular time period or
region but there wasn't one release that had all of them together in one
place. Along with inescapible names like Cage, Eno, Stockhausen,
Riley, Reich and Xenakis, I thought it would also be important to include
other composers who have made important contribution but might not be as
well known, such as Eimert, Lansky, Chowning, Dodge, Le Caine, Maxfield,
Parmegiani, Risset and Ussachevsky.
The end result is OHM- The Early Gurus
of Electronic Music on Ellipsis
Arts (available April 24th). Along with Thomas and the Ellipsis
crew, we worked long and hard to contact all of the living composers to
get quotes about their pieces as well as find archival essays and photos
to go along with comments from artists influenced by these composers.
Gruelling as it was, I hope that the end result will be worthwhile to anyone
with an interest in electronic music.
I myself learned a lot from the experience
and found myself with a treasure trove of material that we were not able
to include in the accompanying booklet. Rather than let this historic
material gather dust in my drawers, I thought I'd like to share this important
material with the online world. As with OHM, I hope that this
will become an invitation to you to explore more of this rich and astounding
field.
TRACK
LISTING: see exactly what's on OHM
INTRODUCTION:The
original essay for the release
HISTORY: Interviews and essays
- Milton Babbitt : talks about "Philomel"
- Columbia-Princeton Electronic Center : the first American electronic co-operative
- Charles Dodge : talks about his "Speech Songs"
- Herbert Eimert : interview with Konrad Boehmer
- INA-GRM : the origins of this pioneering French studio
- Alvin Lucier : talks about "Music on A Long Thin Wire"
- MEV : Allan Bryant talks about his old group
- Steve Reich : talks about "Pendulum Music" and his early tape pieces
- Oskar Sala: a tribute by Pete Namlook
- Karlheinz Stockhausen : Holger Czukay on his old teacher
- Edgard Varese : interview with Professor Chou Wen-Chung
- WDR : the early history of the Cologne studio
- Xenakis : tribute by DJ Spooky
GENERAL COMMENTS
FROM OTHERS:
For the notes for OHM, I did a number of interviews with artists to get their thoughts on the evolution of electronic music
For the notes for OHM, I did a number of interviews with artists to get their thoughts on the evolution of electronic music
- Kyle Gann (author, composer)
- Bill Laswell (musician, producer)
- Thurston Moore (Sonic Youth)
- Peter Namlook (Fax Records)
- David Toop (author, musician)
© Intervews and essays by Jason Gross (April 2000)
Ask for download link in comments.
can you put the link thx
ОтветитьУдалитьThe album is here: Pt. 1, pt. 2, pt. 3. Enjoy!
УдалитьHello friend, any chance of this being re-upped?
ОтветитьУдалитьYour blog has been incredibly influential in opening my eyes to musique concrete and interesting stuff in general.
Re-up: pt. 1, pt. 2 & pt. 3
УдалитьI am very sad that among all these gurus are no Soviet composer. But thanks anyway!
ОтветитьУдалитьDo you want to hear some Soviet electronic avantgarde music?
УдалитьRecently I listened to a collection Archive Tapes Synthesizer ANS 1964-1971 and it seemed to me that many of these works sound very innovative for the time, and could very well find a place in OHM. I have some work Edward Artemiev and Michael Chekalin and they are also very original. I am therefore a little bit sad that in the West the Soviet electronics has not received due recognition. But that's just my opinion. Maybe I'm wrong.
ОтветитьУдалитьYour question to me is very pleasant, with a rich collection of rare music, I'm sure you can consult a lot of interesting things. I would be glad if you share.
It's a little gift from Russia with love: pt. 1, pt. 2, pt. 3 & pt. 4
УдалитьBy the way, I do not know much English, so I write through an interpreter, and I may be wrong in some words. I hope this will not be a problem))
ОтветитьУдалить