19 нояб. 2013 г.

First hundred

36
Æthenor
Alio Die
Alvarius B.
Ametsub
Andrew Chalk
Anne-James Chaton
Aoki Takamasa
Arcane Device
Atrium Carceri
Belong
Ben Frost
Big Blood
Birchville Cat Motel
Black Moth Super Rainbow
Black Swan
The Boats
Brad Rose
Brion Gysin
Camanecroszcope
Carsten Nicolai
Celer
Charalambides
Chihei Hatakeyama
Combative Alignment
Demdike Stare
Earlyguard
Eduardo Padilla
En
Erik Knive Skodvin
Evala
Evolution Control Committee
Fabio Orsi
Garth Steel Klippert
George Carlin
Graham Lambkin
Grouper
Henri Chopin
Henry Rollins
High Wolf
Hiroki Sasajima
Ian D. Hawgood
James Leyland Kirby
Jan Jelinek
Jefre Cantu-Ledesma
Jonathan Bepler
Josephine Foster
Keiichiro Shibuya
Keith Fullerton Whitman
Keith Rowe
Kevin Drumm
Kreng
Kyle Bobby Dunn
Larkin Grimm
Lawrence English
Loscil
Luc Ferrari
Lustmørd
Main
Maps and Diagrams
Maryanne Amacher
Mem1
Microstoria
Natural Snow Buildings
Negativland
Nobukazu Takemura
Northaunt
Offthesky
Ordo Funebris
Orla Wren
Pauline Oliveros
Peter Sotos
Peter Wright
Philip Jeck
Pjusk
Pleq
Rachel & Grant Evans
Radian
Randy Greif
Richard Chartier
Richard Skelton
Russell Haswell
Ryoichi Kurokawa
Ryoji Ikeda
Sachiko Matsubara
Seaworthy
Spheruleus
Stephan Mathieu
Steve Roden
Strafe Für Rebellion
Svartsinn
Talvihorros
The Tape-beatles
Taylor Deupree
Tetsu Inoue
Tim Hecker
Toshimaru Nakamura
TSS (Tortue Super Sonic)
Tu M'
William S. Burroughs

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Peter Wright



Peter Wright is an avant-guitarist who's general method is to play simple tones and melodies on his guitar which are then run through a bank of pedals and effects, and at times are mixed with field recordings or other outside sources. The results are, without exception, gorgeous, massive drones. His myspace page lists something like 20 releases, most of which are difficult to track down.

A prolific New Zealand musician currently based in England, Peter Wright founded the kRkRkRk recordings label with J-mz Robinson in 1992, and later created his own Apoplexy imprint in 1998. Working in groups and on his own, past and present projects associated with Wright include TMA-1, Leonard Nimoy, Bent Gastropod Omnibus, DiS, Brainlego, Polio, Noise/Horror Collision, Coitus, Flinch, Atonal Death, CM Ensemble, and The Beautiful Losers. Wright is predominantly releasing material under his own name now.







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18 нояб. 2013 г.

Richard Chartier

[by request]



Richard Chartier (b.1971), sound and installation artist, is considered one of the key figures in the current of reductionist electronic sound art which has been termed both “microsound” and Neo-Modernist. Chartier’s minimalist digital work explores the inter-relationships between the spatial nature of sound, silence, focus, perception and the act of listening itself.

Chartier’s critically acclaimed sound works have been published over the past 12 years as 40 compact discs on labels such as 12k/LINE (US), Raster-Noton (Germany), Spekk (Japan), Non Visual Objects (Austria), Room40 (Australia), Die Stadt (Germany), DSP (Italy), ERS (Netherlands), and Trente Oiseaux (Germany). He has collaborated with noted sound artists Taylor Deupree, William Basinski, CoH, and German pioneer Asmus Tietchens, as well as installation artists Evelina Domnitch, Dmitry Gelfand, and visual artist Linn Meyers. His work currently appears on 38 international sound art and electronic music compilations.

Chartier’s sound works and installations continue to be presented internationally. His work has been exhibited in the 2002 Whitney Biennial at the Whitney Museum of American Art (US), Sounding Spaces at NTT/ICC (Japan), I Moderni / The Moderns at Castello di Rivoli (Italy), Resynthesis at The Art Institute of Chicago and with the traveling sound exhibit Invisible Cities. His solo and collaborative installations have been shown at the Art Gallery of University of Maryland (US), Media Lab Enschede (Netherlands), Montalvo Arts Center (US), G Fine Art (US), Die Schachtel (Italy), The Contemporary Museum of Baltimore (US), Fusebox (US), and Diapason (US).

Chartier continues to perform his work live across Europe, Japan, Australia, and North America. He has performed at noted art spaces/electronic music festivals including: MUTEK (Canada), GRM/Maison de Radio France (France), Musiktriennale Koeln (Germany), Observatori (Spain), DEAF (Ireland), Transmediale (Germany), NETMAGE (Italy), Lovebytes (UK), The Leeds International Film Festival (UK), The Rotterdam International Film Festival (Netherlands), REDCAT (US), and La Batie (Switzerland) and at art museums including: ICA (UK), Hirshhorn Museum and Sculpture Garden (DC), ICC (Japan), CAPC Musée D’Art Contemporain De Bordeaux (France), Musee d’Art Contemporain (Canada), The Contemporary Art Centre (Lithuania), and Sculpture Center (NY). His live performances have taken place in conjunction with the exhibits Frequenzen [Hz] at the Schirn Kunsthalle (Germany) and A Minimal Future? Art as Object 1958-1968 and Visual Music at the Los Angeles Museum of Contemporary Art (US).

Since 2000, Chartier has continued to curate his influential recording label LINE, publishing 45 CDs and DVDs documenting the compositional and installation work of international sound artists who explore the aesthetics of contemporary and digital minimalism. Chartier’s Series, the premiere release on LINE, was awarded an Honorable Mention for Digital Music by Austria’s prestigious Prix Ars Electronica in 2001.

In 2006, Chartier was invited by the Hirshhorn Museum and Sculpture Garden to create a sound work in conjunction with the Hiroshi Sugimoto exhibit. Titled Specification.Fifteen and composed with musician Taylor Deupree, this work is inspired by Sugimoto’s Seascape series. The audio performance premiere in the museum’s curved Lerner Room at sunset reflected the duality and stillness of Sugimoto’s series. The live recording was released on compact disc through Chartier’s LINE label. The work was awarded one of five Honorable Mentions for outstanding contemporary artistic positions in digital media art by the Jury of Transmediale.07 Award (Germany). With a special slowly shifting video piece incorporating Sugimoto’s Seascapes, a new version of Specifiation.Fifteen premiered at Berlin’s Akademie der Kuenste (Germany) in 2007. This audio/visual performance has subsequently been presented at Issue Project Room (NY) and Torun’s Center for Contemporary Art (Poland) and continues to be adapted.

In 2007, Chartier was invited by the Washington Project for the Arts, to curate two evenings of video and sound at the Corcoran Gallery of Art and month long screenings at G Fine Art (US) and Ellipse Art Center (US). This program, titled ColorField REMIX, assembled an array of internationally noted new media artists responding to the 1950s and 1960s Color Field movement and the Washington Color School, as part of a city wide celebration of these historical art movements. As an expanded program screening retitled Colorfield Variations, it continues to travel to digital art/film festivals and museums in Berlin and Köln (DE), London (UK), Belgrade (Serbia), Prague (CZ), Stuttgart (DE), Seville (ES), Torun (Poland), Brussels (BE), Tel Aviv (Israel), New York, and Seattle (US), as well as at The Hammer Museum (US). In 2009, this project, including exclusive new works, was released as a critically acclaimed limited edition DVD on LINE (US).

In 2009, Richard Chartier presented a unique first collaborative installation with visual artist Linn Meyers where optical and sonic patterns intersect. Untitled, exhibited at the Art Gallery of University of Maryland (US) two fifteen feet long by eight foot high walls meet in an enfolding chevron, creating both a sound chamber and a drawing surface. The swirling lines of Meyers’ drawing, made directly on the surface of the walls, fuse together with the sound piece by Chartier, juxtaposing the organic and the digital into unified sensorial space. With eight audio transducers applied directly to the back surface of the walls, Chartier’s stark composition modulates and transfers through the surfaces. Untitled(Angle.1), a stereo composition based on Untitled was released on Non Visual Objects (Austria) as a limited edition compact disc.

In March 2010, Chartier was awarded a Smithsonian Institution Artist Research Fellowship to explore the National Museum of American History’s collection of 19th Century acoustic apparatus for scientific demonstration. Chartier will focus specifically on the many sirens, waveforms, and other inventions of the German physicist Rudolf Koenig including the Tonometer (c. 1870-1875), the only instrument of its kind in existence.







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14 нояб. 2013 г.

Philip Jeck



Philip Jeck (b.1952) lives in Liverpool and studied visual art at Dartington College of Arts. He started working with record players and electronics in the early '80's and has made soundtracks and toured with many dance and theatre companies as we as well as his solo concert work. His best kown work "Vinyl Requiem" (with Lol Sargent): a performance for 180 '50s/'60s record players won Time Out Performance Award for 1993. He has recently created "Vinyl Codas I-IV" for Bavarian Radio, "Coda II" winning a Karl Sczuka prize for Radio Art. He has also over the last few years returned to visual art making installations using from 6 to 80 record players including "Off The Record" for Sonic Boom at The Hayward Gallery, London. Philip Jeck works with old records and record players salvaged from junk shops and uses them for his own purposes. He plays them as musical instruments, creating a personal language that evolves with each added part of a record. The resultant music is moving and transfixing, in which one hears the art not the gimmick.







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13 нояб. 2013 г.

The Improvisation Meeting At Bar Aoyama






1     Sachiko M / Tetuzi Akiyama / Taku Sugimoto / Toshimaru Nakamura –     07/07/99     4:20
2     Utah Kawasaki / Tetuzi Akiyama / Taku Sugimoto / Toshimaru Nakamura –     03/03/99     3:11
3     Jason Kahn / Tetuzi Akiyama / Taku Sugimoto / Toshimaru Nakamura –     15/10/98     2:55
4     Masahiko Okura / Sean Meehan / Tetuzi Akiyama / Taku Sugimoto / Toshimaru Nakamura –     05/11/98     6:27
5     Yui Kimijima –     18/03/99     5:33
6     Tetsuya Higashi / Masahiko Okura / Taku Sugimoto / Toshimaru Nakamura –     07/07/99     3:33
7     Jason Kahn / Taku Sugimoto –     15/10/99     7:07
8     Otomo Yoshihide / Tetuzi Akiyama / Taku Sugimoto –     05/05/99     5:39
9     Toshimaru Nakamura –     18/03/99     4:36
10     Tetuzi Akiyama –     18/03/99     4:45
11     Taku Sugimoto –     29/01/99     6:09
12     Kai Wolff / Tetuzi Akiyama –     04/12/99     2:50
13     Sudoh Toshiaki / Masaki Iwasaki / Tetuzi Akiyama –     02/06/99     4:16
14     Jason Kahn / Tetuzi Akiyama / Taku Sugimoto / Toshimaru Nakamura –     15/10/99     7:03
15     Sachiko M / Tetuzi Akiyama / Taku Sugimoto / Toshimaru Nakamura –     07/07/99     4:24





The Improvisation Meeting At Bar Aoyama (1999) - 320 Kbps




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27 авг. 2013 г.

Jan Jelinek



Jan Jelinek (whose monikers include Gramm, for Source Records, and Farben), is a Berlin-based producer of electronic music drawing influences from jazz, dub, funk, soul, and house. Prior to releasing on the ~Scape label under his own name, he had put out albums as Farben (for Klang Elektronik). On 2001's Loop-Finding-Jazz-Records, Jelinek manipulates fragments of sound from old jazz recordings, transforming them beyond recognition into completely new pieces of music. On La Nouvelle Pauvrete, he joins forces with the imaginary band The Exposures, which he himself fabricated. Jelinek has also collaborated with the Australian jazz trio Triosk and the Japanese improvisation group Computer Soup.
With his 2006 album "Tierbeobachtungen" the jazz sound switch to a more ambient soundscape.





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23 авг. 2013 г.

The Boats



Since 2009, original duo (Andrew Hargreaves & Craig Tattersall) has become a trio, including Danny Norbury. 

The Boats are of course the well known duo of Craig Tattersall and Andrew Hargreaves, now joined by Danny Norbury on cello, as well as Chris Stewart and Elaine Reynolds on vocals. Craig has previously recorded under Hood, the Archivist and The Remote Viewer, runs the Cotton Goods label and co-runs the excellent Moteer and Mobeer labels with Andrew Johnson. Andrew Hargreaves records as Beppu and co-runs the Lacies’ label with his partner, Alice. As The Boats they have released various works on Moteer, Our Small Ideas, Flau (‘Faulty Toned Radio’) and of course, Home Normal with ‘Words Are Something Else’. The newest member to The Boats as of 2009 is the very talented Danny Norbury. He regularly works with Library Tapes, as well as being one-half of the duo Le Lendemain (with David Wenngren aka Library Tapes), and he has also recorded solo projects for Ono, Static Caravan and last year’s wonderful Light In August release on Lacies’.
A little while after the release of ‘Words Are Something Else’, Andrew, Craig, Danny and myself came together to talk about playing some shows both in the UK, as well as a tour in Japan. It just felt like a nice natural progression really as they are rarely known to play many live shows, and to get them to come to Japan meant a lot to both them and I. What culminated was the great Home Normal night in December (2009) at Café Oto in London, with Danny Norbury and The Boats headlining a very special event indeed. As we met up for the first time in person then, we confirmed how much we wanted to organise the Japan tour and so pushed on with the aid of our mutual friends Yasuhiko Fukuzono (aka Aus) and Masami Shimomura (p*dis).
During the various meetings, phone calls and emails back and forth, we decided that it would be a perfect time to release something of an ‘unknown’ overview of where The Boats are at and what they have done over the years. Yasuhiko Fukuzono (who also runs Flau) and I decided that it would be entirely appropriate to do a one-off collaborative release between Home Normal and Flau, as we are such closely tied labels, mutual friends with The Boats, and as a way of coming together for an album release to tie in with our combined Boats and Danny Norbury Japan tour in May of this year. The result of all this is Sleepy Insect Music, a compilation of unreleased or very limited edition works on compilations and Our Small Ideas, an unreleased remix and reworking of previously released work (‘raindrops’). As such it is an essential collection of work for Boats fans and new listeners alike, a wonderful summary of who The Boats are, or the perfect introduction, however you want to view it.



 Side projects:

Andrew Hargreaves



Craig Tattersall



Danny Norbury


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22 авг. 2013 г.

Demdike Stare



Demdike Stare is the occult new project from Miles Whittaker and Sean Canty. Miles is probably better known as Modern Love’s DJ MLZ or as 0.5 of Pendle Coven. Sean Canty is the dedicated digger behind the Haxan events and a member of the hugely respected Finders Keepers crew of vinyl vultures. Their collaborative project tracks the sonic leylines of cult soundtracks, Arabesque dubs and psychotomimetic ephemera with a proper Lancastrian twist…
Demdike (aka Elizabeth Southern) was the ringleader of the Pendle Witches. Accused of three murders, she died in prison in 1622 before coming to trial.






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21 авг. 2013 г.

Kevin Drumm



Kevin Drumm is an experimental musician based in Chicago, USA. Emerging from the city's improvised music scene, in the 1990s he became one the world's pre-eminent prepared guitar players.
Drumm's work expanded to include electroacoustic compositions and live electronic music made with laptop computers and analog modular synthesizers. He has collaborated with many artists working in similar fields, including Japanese guitarist Taku Sugimoto, multi-instrumentalist and producer Jim O'Rourke, and many European improvisers such as Swedish saxophonist Mats Gustafsson and German trumpeter Axel Dörner. He has also worked with the artist group Simparch, composing a piece for their installation Spec, shown at Documenta XI in Kassel, Germany and at the Renaissance Society in Chicago. Drumm has also worked with saxophonist Ken Vandermark's Territory Band, which brings together American and Eurpoean players who work in both jazz and free improvisation.
Drumm's work draws upon musique concrete, electronic sound, improvisation, heavy metal, and noise music, and has proved difficult to categorize. His solo and collaborative work ranges from challenging improvisations, ambient textures, and blistering walls of sound. Musical influences include Iron Maiden, Ralf Wehowsky, and The New Blockaders.
Avant-garde tabletop guitarist Kevin Drumm was born and raised in 1970 in South Holland, IL, playing in a handful of rock bands before relocating to Chicago in 1991 to work at the city's Board of Trade. He soon began his experiments with prepared guitar, applying objects including magnets, binder clips, chains, a violin bow and even toenail clippers to distort the instrument's sound; in time Drumm befriended a number of members of Chicago's growing improv community, including Jim O'Rourke (with whom he served in Brise-Glace, additionally contributing to Gastr del Sol's Upgrade and Afterlife album and Ken Vandermark. In late 1997 Drumm made his solo debut with a self-titled (Perdition Plastics) and has released superb duo records with Taku Sugimoto (Sonoris), Axel Dörner, Martin Tètreault (both Erstwhile) and Ralf Wehowsky (Selektion).
His chameleon-like presence has been documented on a number of projects, each revealing new facets of his wide-ranging and unique talents on both guitar and electronics. Drumm seamlessly melds the worlds of acoustic and electronic sound, occasionally teetering on the edge of silence, yet always remaining impeccably musical.
Kevin Drumm has recorded and performed with Phill Niblock, Tony Conrad, MIMEO, John Butcher, Thomas Ankersmit and many others.





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