19 нояб. 2013 г.
Peter Wright
Peter Wright is an avant-guitarist who's general method is to play
simple tones and melodies on his guitar which are then run through a
bank of pedals and effects, and at times are mixed with field recordings
or other outside sources. The results are, without exception, gorgeous,
massive drones. His myspace page lists something like 20 releases,
most of which are difficult to track down.
A prolific New Zealand musician currently based in England, Peter Wright
founded the kRkRkRk recordings label with J-mz Robinson in 1992, and
later created his own Apoplexy imprint in 1998. Working in groups and on
his own, past and present projects associated with Wright include
TMA-1, Leonard Nimoy, Bent Gastropod Omnibus, DiS, Brainlego, Polio,
Noise/Horror Collision, Coitus, Flinch, Atonal Death, CM Ensemble, and
The Beautiful Losers. Wright is predominantly releasing material under
his own name now.
- 1998 - Syncopate - 256 Kbps
- 1999 - LP - 256 Kbps
- 1999 - Radioplay - 223 Kbps
- 2000 - Duna - 320 Kbps
- 2001 - A Tiny Camp In The Wilderness - 224 Kbps
- 2002 - Soyuz - 224 Kbps
- 2002 - The Broken Kawai - 256 Kbps
- 2003 - Concrete - 224 Kbps
- 2003 - Catch A Spear As It Flies - 320 Kbps
- 2004 - Distant Bombs - 320 Kbps
- 2005 - Desolation Beauty Violence - 320 Kbps
- 2005 - Split [with The North Sea & Agitated Radio Pilot] - 320 Kbps
- 2005 - Birdsong For Sewers [with Uton] - 217 Kbps
- 2005 - Yellow Horizon - 320 Kbps
- 2006 - Unvarnished, Untreated, Unzipped - 320 Kbps
- 2006 - Folk Songs and Blackness - 256 Kbps
- 2006 - Red Lion - 320 Kbps
- 2006 - Pariahs Sing Om (Collected Drone-Poems 2000-2003) - 215-259 Kbps
- 2006 - Cold Harbour [with Brad Rose] - 320 Kbps
- 2006 - Armchair Minimalism - 234 Kbps
- 2006 - Air Guitar - 228 Kbps
- 2007 - At Last A New Dawn - 320 Kbps
- 2007 - Magpie Attack On The Back Road To Albert Town - 320 Kbps
- 2007 - Crater Lake - 229 Kbps
- 2008 - Pretty Mushroom Clouds - 320 Kbps
- 2008 - Burning A Hole In The Sun - 320 Kbps
- 2009 - Bright Falling Star - 320 Kbps
- 2009 - An Angel Fell Where The Kestrels Hover - 320 Kbps
- 2009 - Snow Blind - 320 Kbps
- 2009 - Paris 18.12.2007 CDR - 172 Kbps
- 2009 - Miles of Smiles Podcast (The Macbeth, London, August 2006) - 125 Kbps
- 2010 - Dissolving Into Light - 320 Kbps
- 2011 - Armchair Minimalism - 320 Kbps
- 2011 - Let's Hide Under The House Until They've Gone - 320 Kbps
- 2011 - Sofa Drugs - 320 Kbps
- 2012 - Crater Lake - 320 Kbps
- 2012 - European Monoliths - 320 Kbps
- 2012 - 611 Florida Ave.- 320 Kbps
- 2012 - Ghost Haven - 320 Kbps
- 2015 - 51°N 0°W - 320 Kbps
- 2015 - Pariahs Sing Om - 320 Kbps
- 2015 - LP - 320 Kbps
Ask for download links in comments.
18 нояб. 2013 г.
Richard Chartier
[by request]
Richard Chartier (b.1971), sound and installation artist, is considered one of the key figures in the current of reductionist electronic sound art which has been termed both “microsound” and Neo-Modernist. Chartier’s minimalist digital work explores the inter-relationships between the spatial nature of sound, silence, focus, perception and the act of listening itself.
Chartier’s critically acclaimed sound works have been published over the past 12 years as 40 compact discs on labels such as 12k/LINE (US), Raster-Noton (Germany), Spekk (Japan), Non Visual Objects (Austria), Room40 (Australia), Die Stadt (Germany), DSP (Italy), ERS (Netherlands), and Trente Oiseaux (Germany). He has collaborated with noted sound artists Taylor Deupree, William Basinski, CoH, and German pioneer Asmus Tietchens, as well as installation artists Evelina Domnitch, Dmitry Gelfand, and visual artist Linn Meyers. His work currently appears on 38 international sound art and electronic music compilations.
Chartier’s sound works and installations continue to be presented internationally. His work has been exhibited in the 2002 Whitney Biennial at the Whitney Museum of American Art (US), Sounding Spaces at NTT/ICC (Japan), I Moderni / The Moderns at Castello di Rivoli (Italy), Resynthesis at The Art Institute of Chicago and with the traveling sound exhibit Invisible Cities. His solo and collaborative installations have been shown at the Art Gallery of University of Maryland (US), Media Lab Enschede (Netherlands), Montalvo Arts Center (US), G Fine Art (US), Die Schachtel (Italy), The Contemporary Museum of Baltimore (US), Fusebox (US), and Diapason (US).
Chartier continues to perform his work live across Europe, Japan, Australia, and North America. He has performed at noted art spaces/electronic music festivals including: MUTEK (Canada), GRM/Maison de Radio France (France), Musiktriennale Koeln (Germany), Observatori (Spain), DEAF (Ireland), Transmediale (Germany), NETMAGE (Italy), Lovebytes (UK), The Leeds International Film Festival (UK), The Rotterdam International Film Festival (Netherlands), REDCAT (US), and La Batie (Switzerland) and at art museums including: ICA (UK), Hirshhorn Museum and Sculpture Garden (DC), ICC (Japan), CAPC Musée D’Art Contemporain De Bordeaux (France), Musee d’Art Contemporain (Canada), The Contemporary Art Centre (Lithuania), and Sculpture Center (NY). His live performances have taken place in conjunction with the exhibits Frequenzen [Hz] at the Schirn Kunsthalle (Germany) and A Minimal Future? Art as Object 1958-1968 and Visual Music at the Los Angeles Museum of Contemporary Art (US).
Since 2000, Chartier has continued to curate his influential recording label LINE, publishing 45 CDs and DVDs documenting the compositional and installation work of international sound artists who explore the aesthetics of contemporary and digital minimalism. Chartier’s Series, the premiere release on LINE, was awarded an Honorable Mention for Digital Music by Austria’s prestigious Prix Ars Electronica in 2001.
In 2006, Chartier was invited by the Hirshhorn Museum and Sculpture Garden to create a sound work in conjunction with the Hiroshi Sugimoto exhibit. Titled Specification.Fifteen and composed with musician Taylor Deupree, this work is inspired by Sugimoto’s Seascape series. The audio performance premiere in the museum’s curved Lerner Room at sunset reflected the duality and stillness of Sugimoto’s series. The live recording was released on compact disc through Chartier’s LINE label. The work was awarded one of five Honorable Mentions for outstanding contemporary artistic positions in digital media art by the Jury of Transmediale.07 Award (Germany). With a special slowly shifting video piece incorporating Sugimoto’s Seascapes, a new version of Specifiation.Fifteen premiered at Berlin’s Akademie der Kuenste (Germany) in 2007. This audio/visual performance has subsequently been presented at Issue Project Room (NY) and Torun’s Center for Contemporary Art (Poland) and continues to be adapted.
In 2007, Chartier was invited by the Washington Project for the Arts, to curate two evenings of video and sound at the Corcoran Gallery of Art and month long screenings at G Fine Art (US) and Ellipse Art Center (US). This program, titled ColorField REMIX, assembled an array of internationally noted new media artists responding to the 1950s and 1960s Color Field movement and the Washington Color School, as part of a city wide celebration of these historical art movements. As an expanded program screening retitled Colorfield Variations, it continues to travel to digital art/film festivals and museums in Berlin and Köln (DE), London (UK), Belgrade (Serbia), Prague (CZ), Stuttgart (DE), Seville (ES), Torun (Poland), Brussels (BE), Tel Aviv (Israel), New York, and Seattle (US), as well as at The Hammer Museum (US). In 2009, this project, including exclusive new works, was released as a critically acclaimed limited edition DVD on LINE (US).
In 2009, Richard Chartier presented a unique first collaborative installation with visual artist Linn Meyers where optical and sonic patterns intersect. Untitled, exhibited at the Art Gallery of University of Maryland (US) two fifteen feet long by eight foot high walls meet in an enfolding chevron, creating both a sound chamber and a drawing surface. The swirling lines of Meyers’ drawing, made directly on the surface of the walls, fuse together with the sound piece by Chartier, juxtaposing the organic and the digital into unified sensorial space. With eight audio transducers applied directly to the back surface of the walls, Chartier’s stark composition modulates and transfers through the surfaces. Untitled(Angle.1), a stereo composition based on Untitled was released on Non Visual Objects (Austria) as a limited edition compact disc.
In March 2010, Chartier was awarded a Smithsonian Institution Artist Research Fellowship to explore the National Museum of American History’s collection of 19th Century acoustic apparatus for scientific demonstration. Chartier will focus specifically on the many sirens, waveforms, and other inventions of the German physicist Rudolf Koenig including the Tonometer (c. 1870-1875), the only instrument of its kind in existence.
- 1998 - Direct, Incidental, Consequential. - 320 Kbps
- 1999 - Post-Fabricated - 320 Kbps
- 1999 - A Hesitant Fold - 320 Kbps
- 1999 - SPEC. [with Taylor Deupree] - 320 Kbps
- 1999 - 0/r [with Nosei Sakata] - 320 Kbps
- 2000 - Series - 320 Kbps
- 2000 - InvalidObject Series (Typeof) - 320 Kbps
- 2001 - Decisive Forms - 320 Kbps
- 2002 - (For Morton Feldman) [with Bernhard Günter & Steve Roden] - 320 Kbps
- 2002 - Of Surfaces - 320 Kbps
- 2002 - After [with Kim Cascone & Taylor Deupree] - 320 Kbps
- 2002 - Varied [with Nosei Sakata] - 320 Kbps
- 2003 - Two Locations - 320 Kbps
- 2003 - Archival 1991 - 320 Kbps
- 2004 - Set Or Performance - 320 Kbps
- 2004 - Edition - 320 Kbps
- 2004 - Chessmachine [with Ivan Pavlov] - 320 Kbps
- 2005 - Tracing - 320 Kbps
- 2005 - Retrieval 1-5 - 320 Kbps
- 2005 - Re'Post'Postfabricated - 320 Kbps
- 2005 - Kapotte Muziek By Chartier / Raton [with Boca Raton] - 320 Kbps
- 2005 - Live in Los Angeles [with Ivan Pavlov] - 320 Kbps
- 2006 - Levels (Inverted) - 320 Kbps
- 2006 - Specification.Fifteen [with Taylor Deupree] - 320 Kbps
- 2006 - Incidence - 320 Kbps
- 2006 - Current - 320 Kbps
- 2007 - Fabrication [with Asmus Tietchens] - 320 Kbps
- 2008 - Untitled [with William Basinski] - 320 Kbps
- 2008 - Further Materials - 320 Kbps
- 2009 - Untitled (angle.1) - 320 Kbps
- 2010 - A Field For Mixing - 320 Kbps
- 2010 - Fabrication 2 [with Asmus Tietchens] - 320 Kbps
- 2011 - Untitled Tapes :1991-1993 - 320 Kbps
- 2011 - Transparency (Performance) - 320 Kbps
- 2012 - Recurrence - 320 Kbps
- 2012 - Built Through [with Robert Curgenven] - 320 Kbps
- 2013 - Interior Field - 320 Kbps
- 2013 - Undefined [with Yann Novak] - 320 Kbps
- 2013 - Aurora Liminalis [with William Basinski] - 320 Kbps
- 2014 - Subsequent Materials (2006 - 2012) - 320 Kbps
- 2015 - Divertissement [with William Basinski] - 320 Kbps
14 нояб. 2013 г.
Philip Jeck
Philip Jeck (b.1952) lives in Liverpool and studied visual art at
Dartington College of Arts. He started working with record players and
electronics in the early '80's and has made soundtracks and toured with
many dance and theatre companies as we as well as his solo concert work.
His best kown work "Vinyl Requiem" (with Lol Sargent): a performance
for 180 '50s/'60s record players won Time Out Performance Award for
1993. He has recently created "Vinyl Codas I-IV" for Bavarian Radio,
"Coda II" winning a Karl Sczuka prize for Radio Art. He has also over
the last few years returned to visual art making installations using
from 6 to 80 record players including "Off The Record" for Sonic Boom at
The Hayward Gallery, London. Philip Jeck works with old records and
record players salvaged from junk shops and uses them for his own
purposes. He plays them as musical instruments, creating a personal
language that evolves with each added part of a record. The resultant
music is moving and transfixing, in which one hears the art not the
gimmick.
- 1993 - Slant [with Cris Cheek & Sianed Jones] - 320 Kbps
- 1995 - Loopholes - 320 Kbps
- 1999 - Surf - 320 Kbps
- 2000 - Vinyl Coda I-III - 226-247 Kbps
- 2000 - 20_02_00 Live at ICC, Tokyo - 320 Kbps
- 2001 - 4 Parabolic Mixes [with Henri Pousseur, Main & Oval] - 320 Kbps
- 2001 - Vinyl Coda IV - 320 Kbps
- 2002 - Viny'l'isten [with Claus van Bebber] - 320 Kbps
- 2002 - Soaked [with Jacob Kirkegaard] - 320 Kbps
- 2002 - Stoke - 320 Kbps
- 2002 - Invisible Architecture #1 [with Otomo Yoshihide & Martin Tétreault] - 320 Kbps
- 2003 - 7 - 320 Kbps
- 2003 - Host - 320 Kbps
- 2003 - Spire - Organ Works Past Present & Future - 320 Kbps
- 2004 - Songs for Europe (Piosenki Dla Europy) [with Janek Schaefer] - 320 Kbps
- 2004 - Live In Leuven [with Jah Wobble & Jaki Liebezeit] - 320 Kbps
- 2005 - Spire: Live In Geneva Cathedral St. Pierre - 320 Kbps
- 2007 - The Sinking of the Titanic (1969-) [with Gavin Bryars & Alter Ego] - 320 Kbps
- 2008 - Sand - 320 Kbps
- 2008 - Suite: Live in Liverpool - 256 Kbps
- 2008 - Spire Live - Fundamentalis - 173-199 Kbps
- 2008 - Amoroso [with Fennesz & Charles Matthews] - 195-213 Kbps
- 2009 - Spool - 256 Kbps
- 2010 - An Ark for the Listener - 320 Kbps
- 2010 - Spliced [with Marcus Davidson] - 320 Kbps
- 2015 - Cardinal - 320 Kbps
Ask for download links in comments.
13 нояб. 2013 г.
The Improvisation Meeting At Bar Aoyama
1 Sachiko M / Tetuzi Akiyama / Taku Sugimoto / Toshimaru Nakamura – 07/07/99 4:20
2 Utah Kawasaki / Tetuzi Akiyama / Taku Sugimoto / Toshimaru Nakamura – 03/03/99 3:11
3 Jason Kahn / Tetuzi Akiyama / Taku Sugimoto / Toshimaru Nakamura – 15/10/98 2:55
4 Masahiko Okura / Sean Meehan / Tetuzi Akiyama / Taku Sugimoto / Toshimaru Nakamura – 05/11/98 6:27
5 Yui Kimijima – 18/03/99 5:33
6 Tetsuya Higashi / Masahiko Okura / Taku Sugimoto / Toshimaru Nakamura – 07/07/99 3:33
7 Jason Kahn / Taku Sugimoto – 15/10/99 7:07
8 Otomo Yoshihide / Tetuzi Akiyama / Taku Sugimoto – 05/05/99 5:39
9 Toshimaru Nakamura – 18/03/99 4:36
10 Tetuzi Akiyama – 18/03/99 4:45
11 Taku Sugimoto – 29/01/99 6:09
12 Kai Wolff / Tetuzi Akiyama – 04/12/99 2:50
13 Sudoh Toshiaki / Masaki Iwasaki / Tetuzi Akiyama – 02/06/99 4:16
14 Jason Kahn / Tetuzi Akiyama / Taku Sugimoto / Toshimaru Nakamura – 15/10/99 7:03
15 Sachiko M / Tetuzi Akiyama / Taku Sugimoto / Toshimaru Nakamura – 07/07/99 4:24
The Improvisation Meeting At Bar Aoyama (1999) - 320 Kbps
Ask for download link in comments.
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